Sandy Denny and Schubert OUPblog I have written elsewhere about how music, in a way that spoken language rarely does, can affect arousal, stimulate our emotions and memories, and move our bodies. It can even subtly alter our physiological state, both internally by altering heart rate, levels of hormones and so on, and externally –. Sandy Denny (box set) Disc 1 Alex Campbell and his Friends 1. The False Bride 2. You Never Wanted Me 3. This Train Sandy and Johnny 1. Milk and Honey 2. The Last Thing on My Mind 3. The 3:10 to Yuma 4. Make Me a Pallet on YourFloor 5. Been on the Road So Long 7. My Ramblin’ Boy The Original Sandy Denny It's Sandy Denny 1.
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From the stages of the UFO Club, Mothers and Middle Earth to Cropredy in Oxfordshire and from a fresh faced very English version of Jefferson Airplane to revered elder statesmen, it’s been a long strange trip. Now celebrating their 50th anniversary, Fairport Convention have outlasted their peers from the late 60s/early 70s UK underground Folk Rock scene by several decades. Formed in London in 1967, Fairport Convention are the hardy perennials of the British Folk scene with a continually shifting line-up, which has over the years seen such Folk Rock luminaries as Richard Thompson, Judy Dyble, Ashely Hutchings, Simon Nicol, Sandy Denny, Dave Swarbrick and Dave Pegg as integral members of the band. Massively influential during their early years, they were the first band to take traditional folk out of the clubs and into the concert halls playing for a Rock audience with their 1969 album Liege and Lief being the yardstick by which all Folk Rock bands are still measured against. The soon to be released lavish seven CD box set, Come All Ye – The First 10 Years, celebrates and explores the band’s creative heyday, beginning with their eponymous debut for Polydor in 1968, through all of their seminal albums for Island Records and finishing with tracks from their two albums for Vertigo, The Bonny Bunch of Roses and Tippers Tales. Of the 121 tracks featured here, 55 are previously unreleased and includes key tracks and alternate versions from all of their classic albums, single B-sides, BBC Radio Sessions, 5 songs from the French TV programme Pop 2 (December 1970), 5 songs from the Television show The Man They Couldn’t Hang (1971) and the audio for an entire concert at The Fairfield Halls, Croydon (December 16th 1973) plus 2 songs recorded live for the Scottish Television programme, ‘Anne Lorne Gillies – The World of Music’ (1976). The box set comes complete with liner notes by respected English writer, Patrick Humphries. However, as tracks from the first four classic albums from the 60s are dashed off pretty quickly, with very little previously unreleased material, within 2 CDs it really depends on how much you like the various incarnations of the band led through the 70s by Dave Swarbrick before you shell out nearly £60.
Discs 1 and 2 chart the band’s progression from Dylan/Joni Mitchell/Byrds obsessives to totally re-imagining British electric folk music for decades to come in a three year burst of creativity second to non. Although patchy in parts as the band find their feet, the debut Fairport Convention album is somewhat under rated with some excellent tracks on the record. Come All Ye – The First 10 Years collects four album tracks from the debut and a couple of songs from a John Peel’s Top Gear radio session in the summer of 68, including the scorching cover of The Merry-Go-Round’s ‘Time Will Show The Wiser’ which features Richard Thompson’s stunning Acid Rock guitar playing……………………if you take the “English Jefferson Airplane” analogy to it’s logical conclusion then the first album can be considered as their version of Takes Off, then What We Did On Our Holidays is the English equivalent of Surrealistic Pillow (ok it’s a tenuous connection, but try running with it). What We Did On Our Holidays is an absolute stone cold Psych/Folk/Rock masterpiece. Judy Dyble had been replaced by Sandy Denny, considered by many to have been Britain’s finest Singer/Songwriter, forming a formidable male/female duel vocal partnership with Ian Matthews plus with the stellar talents of Richard Thompson, Simon Nicol, Martin Lamble and Ashley Hutchings this line up of the band could have easily gone toe to toe with anything America could offer at the time. Included from Fairport’s second album is an alternate version of ‘Mr Lacey’ taken from the Sandy Denny box set, Richard Thompson’s first really great song and Fairport Convention's unofficial anthem ‘Meet On The Ledge’ (plus the B-Side from it’s single release, ’Throwaway Street Puzzle’) plus a couple of fantastic previously unreleased tracks (a alternate take of the band’s cover of Joni Mitchell’s ‘Eastern Rain’ and an A Capella version of ‘Nottamun Town’ stripped of it’s Raga Rock arrangement). Five tracks from this album does not do What We Did On Our Holidays justice………if you have not heard the record before and have been put off by the supposed image of Fairport Convention being only for weird beard and sandals real ale enthusiasts, go check it out as it is a brilliant Psychedelic Folk Rock record that has more in common with Dylan, The Byrds and the S.F. Ballrooms than dusty Folk Clubs. Disc 1 closes with four tracks from the excellent Unhalfbricking album which was the transition point from the Fairport’s having a psychedelic edge to being the full blown electric Folk Rock band they became after a ram raid on Cecil Sharp House and escaping with an armful of obscure Trad Folk songs. Unhalfbricking was the first record Dave Swarbrick played on, a veteran of the Birmingham Folk Clubs, Swarbrick brought a more traditional folk sound to the band, however the epic reworking of the folk tune ‘A Sailors Life’ that Denny had brought to the band, on this it is the Swarbrick free version from the Sandy Denny box set that is included along with previously unreleased alternative takes of two classic Denny songs ‘Autopsy’ and ‘Who Knows Where The Time Goes?’. More than half of Disc 2 documents what was Fairport Convention’s greatest moment, the seamless melding of Folk Roots and amplified music that was Liege And Leif…………….THE British Folk Rock album. A seminal work, which said it all but launched a thousand imitators. Come All Ye – The First 10 Years collects together assorted alternative versions and Peel sessions featuring tracks from this groundbreaking record including a raw rehearsal version of ‘The Deserter’ and another couple of tracks from the Sandy Denny box set, fantastic alternative versions of ‘Come All Ye’ and ‘Matty Groves’ along with a thrilling John Peel’s Top Gear session from September 1969.
By January 1971 Richard Thompson had left Fairport Convention following Sandy Denny and Ashley Hutchings on to other projects leaving the band to be steered by Dave Swarbrick deeper into traditional English Folk and the next 3 Discs of the box set becoming generally a series of diminished returns unless you enjoyed the albums recorded after Full House. The highlights of Disc 3 are a previously unreleased live performance from the French TV show Pop2 in December 1970 and the songs recorded for the BBC for the 1971 TV show The Man They Could Not Hang broadcast around the time Babbacombe Lee hit the shops. Disc 4 contains various odds and sods put down on tape around the time of the albums Nine and Rosie with a large majority of the recordings tracks previously unreleased and Disc 5 contains collects together many of the recordings/radio sessions made around the time Sandy Denny rejoined the band for their Rising for the Moon album which was a partial return to form, but a poor seller and resulted in the band fracturing again, limping on for a few more years with Swarbrick at the helm, before considering calling it a day after the disappointing Tippers Tales. After a career spanning 12 years, 15 line ups, 16 albums and 20 members Fairport Convention intended to disband in August 1979……….however they were soon back with original member Simon Nicol and ever present member since Full House, Dave Pegg leading the band through it’s most stable period in it’s history, maybe living off past glories a little and no longer the innovative band they were at their 1969 peak but still with a legion of hardcore fans that have grown up with the band.
It’s Discs 6 and 7 that will be of most interest to the Fairport faithful……………recorded for the 1974 Live Convention album Disc 6 has the full set from the show at the Croydon Fairfield Halls featuring the Country Rock tinged line up of the band featuring guitarists Trevor Lucas and Jerry Donahue with all but two tracks previously unreleased and Disc 7 contains the Live at the LA Troubadour 1/2/1974 recording previously available as part of the Rising For The Moon deluxe reissue. Taken from the soundboard, the sound quality is excellent throughout and the performance is a fascinating snapshot of this short-lived lineup (Sandy Denny, Dave Swarbrick, Dave Pegg, Dave Mattacks, Trevor Lucas and Jerry Donahue). The setlist is a typical Fairport mix of songs old and new, traditional and covers, with a fair sprinkling of material from Sandy’s solo albums as well as a song from Fotheringay. Interestingly, contempory Fairport songs seemed almost under-represented (one each from Rosie and Nine), although What We Did on Our Holidays, Unhalfbricking and Liege & Lief all get a look in with one song from each. Despite the diversity of sources, there is a cohesion to the performance and it’s great to have the chance to hear six fine musicians in top form and, perhaps equally importantly, sounding like they’re enjoying themselves. So there you go, seven discs marking the first 10 years of Fairport Convention beautifully presented with extensive sleeve notes…………….from the sparkling, innovative first three albums for Island which would easily rank in a poll of the best records of all time to a slow decline into pointlessness by the end of the 70s and with a hefty price tag perhaps for hardcore fans only……………….a curate's egg of a box set, depending on your opinion of the overbearing influence Dave Swarbrick had over the band during the 70s. Down in our psychedelic basement we prefer the Fairport Convention from the UFO Club and Middle Earth having had our minds blown by a second hand copy What We Did On Our Holidays as impressionable teenagers, but it takes all sorts………………maybe this one is for the Folkies and not the PsychHeads.
Due for release on 28th July, Come All Ye – The First 10 Years will be available from all good record shops and the usual online outlets…………….this can be yours for about the price of 17 pints of scumpy.
THEE PSYCHEDELICATESSEN
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From The Green Man Review (www.greenmanreview.com)Fairport Convention, The Cropredy Box (Woodworm, 1998)
A few days ago, the Green Man staff was discussing whether The Cropredy Box warranted a review. Someone opined that the three-CD set featuring Fairport Convention at its 30th anniversary concert in Cropredy, Oxfordshire, was only for the hardcore fans: the ones who fly into England from all over the world to commune with the band at Cropredy each year.
I'm one of those devotees, and even I said, 'Naah, this collection is more than the average listener will want to hear.' Of course, I bought it when it first came out. I was at the Cropredy festival in 1997, so I wanted a souvenir of my experience. Tonight, though, for the first time in months, I put on disc 2, on a whim.
I was rewarded with a sweet memory. In 1997, the usual festival compere (that's master of ceremonies for you Yankees), Danny Thompson, was recovering from surgery and unable to be at the festival. So the audience phoned him. Some 20,000 people, led by Martin Carthy, Norma Waterson, Heather Wood, Ralph McTell, and a host of other musicians, sang 'Danny Boy' to Thompson over the phone.
The festival is studded with lovely occurrences like this one, and so is disc 2 of the Cropredy Box. I decided to write this review after hearing Richard Thompson's vocal on 'Poor Will and the Jolly Hangman.' It's a song he wrote in the early 1970s, while he was still with the band he helped found, and it surfaced on various recordings a decade after he left Fairport to become one of its most famous alumni. The hoarse, ominous voice in which Thompson, circa 1997, sang this song gave me goosebumps.
The disc also includes a reunion of the GPs, the one-off band featuring McTell, Richard Thompson, Dave Pegg, and Dave Mattacks. Cathy LeSurf drops in to sing Sandy Denny's 'Solo.' The goopily sentimental 'Rosie' is trotted out. It's quite a mix of stuff, something for nearly everyone.
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All that--plus Ashley Hutchings' narration of the history of the band. Let's go back to disc 1. Here we get Joe Boyd reminiscing about the band he 'discovered' in the swinging Sixties, followed by a fiery set from most of the original Fairport lineup (minus Iain Matthews). Vikki Clayton fills in for the late Sandy Denny on this disc; it's a thankless task, but she tackles it with enthusiasm. Of course, when she sings 'Matty Groves,' she leaves out a few verses, but in doing so she spares the life of one of the characters, so what the heck.
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So English folk-rock is born again on disc 1, and we follow its path through discs 2 and 3. The third disc is mostly the 'new guys'--that is, people who've been in the band for the last 10 years or so. Here's where much of the instrumental brilliance comes to the forefront, with string workouts like 'Dirty Linen' (with both Dave Swarbrick and Ric Sanders on fiddles) and 'Woodworm Swing.'
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The concert ends with 'Meet on the Ledge,' the anthem Richard Thompson wrote before he married Linda Peters; when Martin Lamble, Sandy Denny, and Trevor Lucas were still alive; when we hadn't yet touched the moon or surfed the 'net. It's Simon Nicol, one of the original members, who now sings the line 'And now I see I'm all alone.' He's the only original member still in the band, but he's hardly alone; 25,000 people sang along with him that year.
There are two bonus tracks. The first is the traditional 'Seventeen Come Sunday,' which was recorded live for a Ken Russell special on folk music later broadcast by the BBC. (I missed this performance at the festival because I was stuck in a herd of fans sweltering in the souvenir tent.) The second is a recording of a very nasty little telephone prank played on Dave Swarbrick in 1979. This track leads to the CD warning: 'Parental Guidance--Explicit Swarbrick.'
I don't think The Cropredy Box is only for the hardcore. In fact, I'll assert that each of us in the 'Fairport Cult' should buy a copy for a friend. To truly appreciate the album's ragged glory, though, the listener has to imagine the whole experience: the muddy hillside scattered with beer jugs, the multigenerational crowd with its multicolored hair, and the inward sense that something special will happen. It's not as good as being at Cropredy, but for most of us it's a lot cheaper, and it's a treat we can enjoy more than once a year.
--Pamela Murray Winters